Jaclyn Hull, aka JAXXEE, seamlessly weaves through the rich tapestry of music history, blending the timeless allure of blues and soul with contemporary soundscapes to create a truly unique and entrancing musical journey. Her journey as a musician is a testament to her passion and dedication. Discovering her voice later in life, she has since embarked on a remarkable musical odyssey. Her sultry vocals are a force of nature, transcending eras and touching the deepest corners of the soul. With raw power and genuine emotion, JAXXEE‘s voice becomes an instrument of transformation, carrying her listeners to a place where trip-hop and funk merge in perfect unity.

On the new single, “so tired,” she delves deep into the universal experience of late-night self reflection. Exhausted from that constant feeling of not being enough, it is a plea for some relief. Recording live off the floor forced JAXXEE out of her comfort zone as she and producer Neil James Cooke-Dallin did things on the fly. She learned that this is the thing that makes her unique – singing from her heart and soul with the power and emotion held deep within.

1. Tell us the story of this song?

I was driving and my daughter was playing her music and I heard the line ‘I’ve been so tired’ in the song she was playing (Let Go by Ark Patrol). I was heading into the studio the next day, and had a whole different song planned, but I couldn’t get this chorus out of my head and the lyrics came to me very quickly. I believed so many people could relate to this feeling of being ‘so tired.’ We are all so busy running around in the rat race; we all could just use a good night’s sleep. I know for myself, I am haunted by late-night introspection, overthinking and listening to that inner voice with its constant message that I am not enough.

The lyrical questions posed in the song echo this emotional turbulence – pondering whether faltering leads to fading, or perhaps acting too boldly risks losing those around you. In the second verse, the song scrutinizes the façade we often put up, especially in the context of our social media-driven world. It questions the authenticity of what’s presented, wondering if what we see is genuine or merely a charade, and if the smiles we wear conceal the depths of our pain.

2. What was the inspiration behind this video (visuals, storyline, etc.)? 

I wanted the video to be real, honest, raw and authentic to stay true with the roots of my artistry. So what better way than to capture and share the day in which we arranged and recorded the song at Burning Rainbow Studios. I had hired some of the best studio musicians on the West Coast and this video documents us all playing together for the first time. The song needed a classic soul vibe, and we recorded with this era in mind. Recording in a live off the floor style pushed me beyond my comfort zone, requiring me to adapt on the fly. I wanted the video to tell the story of a truly memorable day working in an incredibly supportive environment.

3. What was the process of making this video?

I had spent a lot time on Instagram researching and finding videos that captured the vibe and recording styles that appealed to me. I was particularly inspired by the Mahogany Sessions. I wanted to capture close up magical moments of the musicians in their element and those details of them playing on the guitar, keys etc. I shared these ideas and examples with videographer Shane Battley, who had worked closely with my producer Neil James Cooke-Dallin before. Shane immediately understood and came in on recording day ready for it all and stayed the whole 4-hour session. From there, I left it in Shane’s very capable hands and I was pretty much ready to sign off upon receiving his first edit. I loved the essence and story that was told in the video right away.

Jiants is a three piece indie/pop band from Toronto lead by the songwriting of ex-professional skateboarder Jesse Landen. Jiants performs a unique blend of nostalgic sounding lo-fi indie pop songs complete with great hooks and soaring leads. Once hailed by Paste Magazine as “a band to watch,” they have just finished their fourth album, Tall Tales, and it’s their best effort yet. The record was engineered and produced by Gavin Gardiner (The Wooden Sky) at All-Day Coconut Studios and is set to be released November 10th, 2023.

Their latest single, “Moon Lit,” is a dreamy yet driving track. Jesse explains:
“Moon Lit” is about walking up to the fact that you might just be chasing the nostalgia of imaginary summer love. It’s about catching yourself dreaming of lustful, humid, summer nights that keep you in a perpetual loop of hypothetical excitement for the unknowns just around the bend. But this time something feels different. There’s a slow unraveling reality that these kinds of nights are now filling you with emptiness and maybe don’t serve you as well as they used to.

1. Tell us the story of this song, why did you choose to visualize this song specifically?
The story behind this song is basically just chasing some kind of imaginary nostalgia of summer love. It was written about a series of events while dating over last summer. We pick it as a song to make a live video for because we thought it consistently sounded good when we played it as three. We asked Julie Title to sing her back ups from the studio recording and I think it added a lot.

2. What was the inspiration behind this video(visuals, storyline, etc.)?
The location of the video was a wood shop/record label called Tibet Street records.in Toronto.  I had previously seen a live show at this location and thought the room had a great feel for a video.

3. What was the process of making this video?
It’s a little tough making a good sounding live performance video and to be honest it was a little risky to sing with no real monitor or head phones to hear yourself.  But with the help of Andrew Collins and Mitch Fillion helping with the video and  having everything mixed at All day coconut studios by Gavin Gardiner I think it all worked out pretty well for the budget we had.

Among the latest to emerge from a Texas psych-rock tradition that goes back more than fifty years, Houston’s Cactus Flowers announce the November 17th release of their sophomore full-length Elation with leadoff single “Dead Moon Rising.” 

Once again, frontwoman/bandleader Jessica A.M. channels the power of a live volcano through her guitar rig, her tone pouring through your speakers like scorching lava. Meanwhile, her mystical lyrics convey a dreamlike, starry-eyed romanticism spiked with a bite of attitude. 

Raised by a mom who photographed bands for Rolling Stone during the magazine’s counter-culture heyday, Jessica was, believe it or not, a late bloomer when it came to playing rock music. Originally, her path seemed to point in the direction of her formal violin training. 

But once she discovered the electric guitar in college, the die was cast. And when she met drummer and musical soulmate Mark Carcamo, a chemical reaction catalyzed, giving rise to Cactus Flowers’s intoxicating cocktail of psychedelia, fuzz, doom and classic rock. 

“It took me like 7 or 8 years to craft my sound,” Jessica explains. But once it clicked, there was no turning back. 

Recorded by Grammy-winning producer Steve Christensen (Khruangbin, Steve Earle), Elation is a super-charged, almost monolithic realization of the band’s vision, which now includes bassist John Griffith (who produced the band’s debut full-length, 2019’s Incantations). 

Fittingly enough, the band wrote the bulk of Elation on numerous desert drives from Texas to the West Coast. Taken together, the songs take the listener on a fuzz-soaked musical journey of inner self discovery. 

Brooklyn-based artist Jason Vitelli, known for his lyrical singer-songwriter releases, embarks on a paradoxical journey with his latest project. “Ambient Corridors” represents a departure from his typical lyrical approach, instead offering a purely instrumental collection that harks back to his musical origins.

Jason’s musical journey began in 2003, where he honed his craft by creating music for student films, documentaries, and short films while collaborating with accomplished film composers. Many of the compositions featured in this project have been carefully selected from that earlier period, refined, and rejuvenated. As Jason explains, it’s a “return to form,” an opportunity to revisit and build upon work from years past.

Although his electronic palette from the early 2000s may appear more limited compared to modern software libraries, Jason’s imaginative prowess and compositional aptitude shine through in his orchestration, original sampling, and sound design. Across the 12 tracks of “Ambient Corridors,” acoustic instruments like cello, viola, piano, electric guitar, and a variety of woodwinds, along with Jason’s electronic manipulation of found objects, create an impressionistic auditory journey. He describes his fascination with the interplay between synthetic and real elements, emphasizing how the interaction between human and programmed performances can yield entirely new sonic landscapes.

The titles of his compositions often emerge as sensory experiences, blending the visual and auditory realms in a synesthetic fusion. For instance, “Chukchi Sea,” named after the Arctic ocean, evokes images of frozen landscapes, even though it wasn’t Jason’s initial intention when composing the piece. Similarly, “Lost and Found” draws inspiration from Baroque period music, with a structure resembling a Bach prelude and fugue. This piece tells a story of melodies coming together in harmony, akin to lost souls finally finding one another.

Among the tracks, “Exit Love Story” employs a moody, synthesized jazz trio, sharing its title with an indie film. Jason’s musical journey has included performances at historic New York listening rooms, gigs as a sideman for jazz ensembles, and even subway busking. His earlier releases, “No Photographs” and “Confluence,” set the stage for his third album, “Head Above Tide,” which received acclaim from the Nashville Music Guide as a “musical phenomena” that opened new possibilities within an ever-expanding musical universe.

“Ambient Corridors” serves as the first installment of what Jason envisions as a series of instrumental releases, offering a counterpoint to his singer-songwriter projects. He sees this new direction as a valuable means of conveying emotions and thoughts without the constraints of lyrics. Furthermore, instrumental music allows room for interpretation by the listener. As Jason reflects, “Songwriting often emerges from inner turmoil and psychological struggles, leading to a more linear narrative. This may leave less for the listener to interpret. In contrast, instrumentals provide a canvas for the mind to breathe and wander freely. Ultimately, this music is a reflection of who I am in the moment of creation, and who knows, I may evolve into someone entirely different by day’s end.”

Tell us the story of this song, why did you choose to visualize this song specifically in this way? – I wrote the piece originally as a “wild track” for possible use on an upcoming film project. During this time, my housemate and I owned a cat. She was such an important part of my life and in many ways, was an inspiration for the music on 1. Ambient Corridors. This tune in particular was inspired by her playfulness; the clarinet instrumentation conjures memories of the Cat Theme from Prokofiev’s Peter and the Wolf.

What was the inspiration behind this video (visuals, storyline, etc.)? After naming the tune “Snazzy Cats,” I wanted to bring some feline playfulness to the eye. There is no storyline here; this video functions more as a musical visualization.

What was the process of making this video? I created the sound wave overlay via Renderforest and obtained through their platform the stock footage and animations. I then imported the assets into Final Cut Pro and edited them together. I also brought in meowing and purring sounds from various sample libraries.

Emerging international pop star, Barbara Nadas, has released her new song “SOAR;” found on all streaming platforms today. Known for her previous songs “Overthink” and “Semmit nem ér(sz),” this new track takes a journey through her struggles and showcases her resilience like never before. “SOAR” is more than just a song; it’s an anthem of empowerment, an ode to rising above life’s challenges and reaching for the stars. With her signature blend of heartfelt lyrics and captivating melodies, Barbara Nadas invites listeners to join her on a soaring musical adventure, one that resonates deeply and inspires with every note.Listen in here: 

Watch it here:

Barbara Nadas’s journey as an artist has always been about connecting with her audience on a profound level, and “SOAR” continues in this tradition. It showcases her remarkable talent and unwavering commitment to delivering music that uplifts, motivates, and transcends boundaries. Nada’s talents as a musician are nothing short of extraordinary. Her ability to infuse raw emotion into her music, creating melodies that tug at the heartstrings, is a testament to her exceptional songwriting and vocal prowess. With each note she sings, Barbara Nadas captivates listeners, taking them on a musical journey filled with depth and authenticity. Her artistry transcends boundaries, and her dedication to delivering meaningful, soul-stirring music is commendable. Barbara Nadas is a shining star in the world of music, and her talent continues to inspire and uplift audiences worldwide.

“SOAR” is a heartfelt song that speaks to the universal themes of self-discovery and personal growth. In these lyrics, Barbara Nadas candidly shares the struggle to break free from the confines of one’s own thoughts, emphasizing the desire for self-acceptance and love. The song’s chorus serves as a powerful reminder that, despite life’s challenges, we have the strength to rise above and embrace our true selves.

Melbourne-based jazz singer/songwriter and the creator of Transformational Entertainment Connie Lansberg is not your run-of-the-mill jazz vocalist. With her beautiful single “Free,” she’s serving up a dish that’s equal parts elegant strength and refined power. It’s like she’s sipping tea with one hand and arm-wrestling your soul with the other.

This gentle ballad has been a decade in the making, fo

lks. Lansberg held onto it like a secret treasure, waiting for the stars to align. And align they did when she teamed up with jazz pianist Mark Fitzgibbon. The result? A delicate dynamism that’s as comforting as it is compelling.

“Free” is a track off Lansberg’s self-produced album “Alone with Bees,” and it’s a gem among gems. Recorded in a single take with Fitzgibbon on piano, Ben Hanlon on double bass, and Peter Hodges on drums, the song is a testament to Lansberg’s songwriting and producing prowess. It’s like she’s an energy healer using her voice as a scalpel, cutting through the noise and getting to the heart of the matter. Is this the future of jazz? Well, if it is, sign me up!

Lansberg’s vocals are a gentle force to be reckoned with. She’s got this fiercely graceful thing going on that makes you want to listen and reflect. Backed by Fitzgibbon’s delicate piano, the song explores the complexities of happiness, freedom, and the shackles of the past. It’s a musical journey that’s as introspective as it is liberating.

About the recording process Connie says: “Being in the studio with my three favorite musicians was such a joy. And then hearing them so completely respect the delicacy of this song, it just blew me away.”

Connie Lansberg’s “Free” is a masterclass in what I’d call “delicate dynamism.” It’s a song that’s both introspective and liberating, compelling listeners to confront their own past traumas. Lansberg’s evocative storytelling and unique sound—somewhere at the crossroads of jazz, classical, and country—make this track a must-listen.

So, if you’re in the mood for a tune that’s as thought-provoking as it is soul-stirring, give “Free” a spin. Trust me, you’ll be glad you did.

There you have it, jazz aficionados. Connie Lansberg’s “Free” is a gentle force in a world that could use a little more nuance.

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