George Collins Pushes Forward with Electrified Grit on “New Way”

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George Collins doesn’t just wear his influences on his sleeve. He very much channels them like a man with something urgent to get off his chest.

His new single “New Way” is a blistering, hook-heavy declaration of discontent and renewal. It opens with a fuzz-drenched guitar riff that’s instantly memorable.

Collins, who is a Washington D.C. born, Prague-based singer-songwriter with an unconventional path to music, knows how to get to the point. And in “New Way” the point is clear. Essentially, the world is a mess both culturally, politically, spiritually, and the time to shake things up has arrived.

It’s time for a new way – ’cause I know that something’s wrong

It’s time for a new way – it’s been going on too long

Tired of waiting. No more hesitating. Future’s unwritten – not set in stone.

What gives the track its bite though is not so much the urgency of its message, but the way it blends grit with melody. Anchored with tight drums and layered vocals that recall the energy of an early Costello, the tension of “The Rising” era Springsteen, and the swing for the rafters bravado of classic Stones. But it is all filtered through Collins’ own lens – that of a man who has spent decades in high finance before returning to music with a fresh dynamic and perspective and zero interest in any pretense.

Collins says:

The tune was indirectly inspired by Stanley Kubrick’s classic dystopian film, “A Clockwork Orange.”

Early in the movie, Georgie (no relation!) attempts to wrest control of the ultra-violent gang of Droogs led by Alex (played by Malcolm MacDowell), telling him repeatedly that “It’s part of the new way.”

This line has always stuck with me, and ever since my student days, whenever I decided it was time to turn over a new leaf and start afresh, I would tell myself (in my best Droogie accent), “It’s part of the new way!”

With this phrase in mind, I set out to write the song last year, based on my views of the current scene and a killer guitar riff that had been kicking around in my head for years.  

The song starts out dark and uncertain but finishes on an optimistic and hopeful note with a positive message I hope will resonate far and wide.

Lyrically, “New Way” doesn’t overreach with metaphors — instead, it speaks plainly and directly, like a letter from someone who’s been watching the chaos unfold for years and is finally ready to shout over the noise. There’s frustration, yes, but also a glimmer of optimism and a belief that change is still possible if we’re willing to meet it halfway.

One of the more intriguing inspirations behind the song comes from Stanley Kubrick’s 1970’s film “A Clockwork Orange“. Musically and thematically, “New Way” does indeed set the tone for Collins’s upcoming album entitled “New Ways of Getting Old”, a collection which he has described as his very own attempt at a sprawling, genre spanning work à la Revolver or The White Album.

And “New Way” also proves that you do not need to be young to raise your voice – you just need to have something to say. Lucky for us, George Collins has that in very good measure.

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Keep up with George Collins Band on his Website

George Collins’ New Single Takes on Lost Opportunities

George Collins is no stranger to the music industry. Back in his younger years, before committing to the world of high finance, he played in local restaurants and bars in Charlottesville to pay his way through school. He even became a local staple. He also played in an eleven-piece Earth, Wind & Fire-esque band called Common Knowledge which included Carter Beauford and the late LeRoi Moore.  Beauford  and Moore later became founding members of The Dave Matthews Band. “While backstage with Carter and Dave during their most recent concert in Prague in 2019, I joked that I was in The Dave Matthews Band even before Dave Matthews,” Collins says with a good-natured laugh.  “They both burst out laughing, and Dave clicked his beer bottle to mine and said, ‘If anyone ever asks me about that, I will back you up one hundred percent!’” 

George is back and better than ever with his upcoming solo EP, It’s Been a Long Time. He just released the pop rock title song “It’s Been a Long Time.” It has a Tom Petty meets U2 in sound and energy with a hint of Fleetwood Mac. In “It’s Been a Long Time,” George showcases his songwriting with lyrics that spew emotion. It’s about a lost love and missed opportunities. It can be taken literally and metaphorically, the sign of a great songwriter.

He sings “Never knew love before, never met no one like you/And I’m always gonna wonder what might have been/World spinning circles now, but there’s one thing I know/It’s gonna be a long, long time till I love that way again.” It can connect with any listener and that’s what makes George Collins’ music so special.

His songs feature instantly hummable melodies; subtle but smart counterpoint; clever chord sequences; ace musicianship; and vocals that ooze soulful rock n’ roll longing.  As a lyricist, Collins is a poet, a sage, a storyteller, and an empath.  He covers the full-spectrum of emotions and the human experience, and he writes with cinematic detail, visceral vulnerability, and clever turns of phrase. 

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