Lady Charles’ latest release, “Bedroom Pop,” featuring Zoe Towne, is a mesmerizing journey into the evocative ambiance of the early 2010s indie music scene.

Channeling the spirit of DIY creativity and the raw intimacy of lo-fi sounds, the song serves as a poignant tribute to an era where artists carved out their own spaces within the musical landscape, often from the comfort of their own bedrooms.

At its core, “Bedroom Pop” weaves a narrative rich in themes of self-discovery, collaboration, and the shadows that lurk beneath the surface of the music industry. Through a lyrical exploration of the protagonist’s journey, Lady Charles confronts the spectre of exploitation and the quest for autonomy in a world where artistic integrity can often be compromised.

The song unfolds like a conversation between friends, each verse and chorus revealing layers of emotional depth and introspection. Zoe Towne’s ethereal vocals provide a captivating counterpoint to Lady Charles’ introspective lyrics, adding an additional dimension to the song.

“I have seen a lot of predatory behaviour aimed at young, talented artists, and I wanted to affirm that if you’re finding yourself disrespected or worse you do not owe anything to these types” says Charles of the lyric.

“I’ve always felt very protective of my artistic friends’ output, and there is little more disheartening than seeing someone’s energy sucked away by the promise of success with a hidden cost. The song isn’t inspired by a particular experience, and that’s partially just because of how unfortunately widespread this is. I have helped bands re-record their demos after producers began to demand dates in return for what was supposed to be free help, I have been kicked out of a band only to find out that a remaining member isolated and verbally abused the other once it was just the two of them. I have seen incredibly talented people absolutely burned out by the ludicrous parasatism of these types.”

Musically, “Bedroom Pop” represents a departure from Lady Charles’ usual style, incorporating a blend of major and minor 7th chords that evoke a sense of harmonic richness and complexity.

The inclusion of saxophone refrains and a soulful guitar solo further enhances the song’s atmospheric allure, transporting listeners to a realm where the boundaries between reality and imagination blur.

“The song differs a bit from my usual writing. I used a lot of major and minor 7th chords and arranged the progression such that adjacent chords share harmonic content but the entire progression doesn’t stay in one key. It’s effectively like how a lot of jazz is composed, and I did it because it has a certain airy, open sound that I associate with dreaminess – a major tendency with bedroom pop music is a certain hazy dreamlike quality and because the track isn’t actually that lo-fi I think it helps evoke that atmosphere well. The chorus is a bit more like a traditional pop chorus, and I think it anchors the flow of the verses well – here the lyric is far more direct and less stream of consciousness. The guitar solo is completely opposite my playing on Manic Pixie Dream World – a clean, gentle melodic line drenched in reverb not unlike what you might find in bedroom and dream pop of the era.”

Drawing from personal experiences and influences ranging from David Bowie to the glam-rock era, Lady Charles infuses “Bedroom Pop” with a sense of authenticity and vulnerability.

With its thought provoking lyrics and captivating dreamy sound, the song leaves a lasting impression and invites listeners to embrace their own unique voice and creative vision.

Listen to “Bedroom Pop” on Spotify now! 

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