The Wombats Release Sophomore Album April 26th


The Wombats, that other band from Liverpool not named The Beatles, are set to release their sophomore album, This Modern Glitch, April 26th through Bright Antenna/ILG/Warners. The album was recorded at Los Angeles’ NRG Recording Studios, with cover art done by legendary artist Storm Thorgerson (the man behind so many Pink Floyd covers). To pre-order the album, go here.

This Modern Glitch Track Listing:

1. Our Perfect Disease
2. Tokyo (Vampires and Wolves)
3. Jump Into The Fog
4. Anti-D
5. Last Night I Dreamt…
6. Techno Fan
7. 1996
8. Walking Disasters
9. Girls/Fast Cars
10. Schumacher The Champagne

Get the “Wombatizer”

Moby Releases First Single From ‘Destroyed’

It’s easy to still root for Moby, but tough to expect to be surprised by him anymore.  “The Day” is the first single on Moby’s new album, Destroyed, out May 17th, and it’s an unbelievable bore.  If you want, you can listen here anyway.

The production, a homage to the Berlin Trilogy, has an emotionless gloss over it which gets further obscured by Moby’s flat vocal delivery.  Overall, the track is bogged down by sheer monotony; there’s no tonal shift, no significant tempo change, and nothing to hold on to.    Maybe he should have sang it in French.  No, that’s worse.

Ponytail Unleash “Honey Touches” Video On Unsuspecting Fruit

The manic Ponytail have released a video for “Honey Touches,” the first single on their third LP, Do Whatever You Want All The Time, out this week.  Fruit is the theme here — whether it’s being caved in, roundhouse kicked, blended, chopped, splayed, punched, dropped, bisected, or moved telekinetically…  but never eaten.   There’s no reason to the madness, and not enough karate styles to vanquish all the fruity foes.  They even throw some bacon in the mix.  Check it out over at SPIN.  Direction credits go to Bill Benz and Mike Giambra, or MENZ for short.

French Horn Rebellion Releases ‘The Infinite Music Of The French Horn Rebellion’

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This Milwaukee duo’s debut album is not something to miss.  This album explores a wide breadth of genres sonically.  It ranges from 70’s and 80’s oriented dance to progressive synth lines and electronic funk.  Wavering vocals, punchy bass lines and crisp synth lines pervade this album, linking it. While at times reminiscent of Phoenix, Daft Punk, and MGMT, the unique combination of crowd-friendly, catchy songs and those that are more introspective and nostalgic creates an album unlike any other.

The album opens with an upbeat, feel-good song, “Up All Night,” which rivets the listener with catchy melodies and synth lines.  This dance-floor mentality is scattered throughout the album; tracks like “The Body Electric” and “What I Want” are riddled with guitar riffs, bass lines and vocals that stick.  “This Moment” is a testament to the marriage of an 70’s or 80’s like riff with punchy electronic moments and a healthy dose of synth action, at the same time, snippets of French horn mingle with the other sounds in the track.   “Running Through the Wild” opens with a cool symphony of electronic musings and melodies before taking off with lyrics like “running through the wilderness hunting for love.”  This track is easy and fun to listen to, while at the same time it pushes the listener.  It would seem they’ve struck the balance between the two perfectly.  The seventh track, “What I Want,” is arguably the centerpiece of this album.  This seven minute long track is anthemic and not unlike a rollercoaster.  With fun and attractive synths and a wavering bass line, this song does not fail to please.  With lines like “We can tell it’s not enough, just bring it back to what I want” and the tin of a melody in the higher register, this track provokes more than just the urge to dance.

As this album moves towards its second half, tracks like “The Cantor Meets the Alien,” “Mawson’s Peak,” and “Antarctica/ The Decision” show off the album’s more introspective side.  These songs highlight the innovation between the two brothers, who seem fond of pushing the boundary between catchy and pensive.  At the same time, “Broken Heart” is an electronic continuation of the same emotional tone of “Last Summer,” whose sentimental and mellow vocals ruminate on events past.  “Broken Heart” merges the upbeat qualities of earlier tracks like “Up All Night” with lyrics a touch more introspective: “I’m so sick of it but I can’t help myself . . . and it breaks my heart.”
French Horn Rebellion has done a great thing with their debut album; their unique sound is both progressive and nostalgic, moreover, it’s superb.  While at times it can seem a bit saccharine, usually it’s just plain cool.  French Horn Rebellion has successfully married 70’s and 80’s-esque chord progressions and brass instruments with electronic funk.   Through this, the pair of brothers has managed to create a sound and style completely their own.

Full Stream of the New Crystal Stilts Record

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The new Crystal Stilts LP, In Love With Oblivion, came out this week but over at the Hype Machine you can get a free stream of the entire album to try before you buy! Throw these guys in with the likes of Ariel Pink’s Haunted Graffiti, The Fresh and Onlys, and fuck it, The Doors too — spooky, atmospheric pop songs wrapped in fuzz and reverb.  On first listen, this is their most effective work yet.

More Details on Javelin’s Canyon Candy


About two weeks ago, we gave you guys the scoop on Javelin’s new record, Canyon Candy. Set for release on April 16th, the album marks a distinct stylistic change for the band. This week, shortly after our friends at Stereogum unveiled the album’s first single, band member Thomas Van Buskirk revealed the album’s origins.

Said Van Buskirk “We recorded some on the road, some at home when on break from tour. George and I spent a fair amount of time driving through the South and Western landscape between Feb-June ’09 … in the course of touring with Yeasayer, playing SXSW, and before that playing with our good friend Lucky Dragons in California. Somewhere along the drives we started noticing amazing National Park signs : “Crater of Diamonds” for instance.  They sounded like song names.

The musician also teased us with this tidbit ” [Our] engineer said one song sounded like The Band mixed with Lil Jon.” Intriguing…