Posts filed under ‘Hip Hop’
Modern Mystery’s Year End List 2011 (Albums & Songs)
Yes, we’re a little late on this, but here is our Year End List(s) in all of their glory.
TOP ALBUMS of 2011
1. Real Estate - Days
Literally the most beautiful album we heard all year. Everything about Days is near perfect. Haunting guitars and echoing vocals provide a stunning LP that will hold the test of time. Real Estate put out the essential record of 2011 and will hold a place forever in indie music history. Congratulations to these guys for pouring their heart and soul into a record, and letting the listener hear every beat, every emotion, and every ounce of perfection.
2. Beirut – The Rip Tide
A close runner up, Beirut proves that they have staying power on their highly anticipated second album. They certainly lived up to the hype and brought the indie rock game to a whole new level.
3. The Drums - Portamento
Catchy, and a little deeper, The Drums plunge into the ocean, not to go surfing this time but to get a little heavier. The outcome? Amazing.
4. Sloan – The Double Cross
Always a MM favorite, the best foursome since The Beatles provide another album of blissful harmonies and catchy riffs. Sloan manages to do it again.
5. The Strokes - Angles
It may have taken 5 years for this little gem, but it was certainly worth the wait. We hope the next album is a little more cohesive, a little more “Strokesy,” but hell, it’s still one of the best records our ears came across this year, not to mention the most anticipated.
6. Neon Indian – Era Extraña
An incredible sophomore effort, that had us dancing around the apartment, the office, the car, etc. Alan Palomo knows what makes our hearts tick, and it’s his infectious brand of chillwave.
7. Ryan Adams – Ashes and Fire
The second anticipated musical act out of retirement this year, Adams put out a tear jerking album of all acoustic material, this time without his infamous Cardinals. Gorgeous as always, that man cannot write a bad song.
8. Bright Eyes – The People’s Key
What may be the last album under the name Bright Eyes, Conor Oberst and company pull out all the stops on this intriguing and somewhat eerie album. Oberst is better than ever, just when you thought that was impossible.
9. Stephen Malkmus and the Jicks – Mirror Traffic
Stephen Malkmus albums always equals a win. Pretend to be surprised. The Beck produced record caught our ears this year. Nice one Malkmus, as always.
10. Sam Roberts Band – Collider
Another great album from SRB, the band is on a hot streak of great releases. Always a little under the radar, this cult favorite is winning over hearts and ears quickly. Jump on in.
HONORABLE MENTIONS:
Atlas Sound – Parallax
Toro Y Moi – Underneath the Pine
Fleet Foxes – Helplessness Blues
St. Vincent – Strange Mercy
Girls – Father, Son, Holy Ghost
Destroyer – Kaputt
Youth Lagoon – The Year of Hibernation
Cults – Cults
Fucked Up – David Comes to Life
Panda Bear – Tom Boy
James Blake – James Blake
1 The Strokes – “Undercover of Darkness”
2 Neon Indian – “Hexx Girlfriend”
3 Real Estate – “Green Aisles”
4 Bright Eyes – “Shell Games”
5 Chairlift – “Amanaemonesia”
6 Sloan – “The Answer Was You”
7 The Drums – “Money”
8 Stephen Malkmus and the Jicks – “Senator”
9 Beirut – “Santa Fe”
10 Washed Out – Amor Fati
11 Joy Formidable – Whirring
12 Girls – “Honey Bunny”
13 Unknown Mortal Orchestra -”Ffunny Ffriends”
14 Real Estate – “It’s Real”
15 Cass McCombs – “Country Line”
Album Review: Javelin – ‘Canyon Candy’

While Canyon Candy is a far cry from the hip-hop electro Javelin has bestowed upon us previously, it’s not something to miss. Inspired by the rolling tumble weeds and red clay encrusted jeans of the Wild West this brief album brings back snippets of that the Frontier used to be. Word is that this is the future soundtrack of an upcoming epic of the same name, directed by Mike Anderson. Previous fans of Javelin may be turned off by this album, it’s not electronically inclined and if anything, sounds vintage. However, Javelin’s master-sampling and melody-making skills were not missed. The album maintained a melodic sway the whole time, with twangy steel guitars and wavering vocals in replacement of synthesizers and funk samples. With most of the songs finishing between one and a half to two and a half minutes, one of this album’s qualities is certainly brevity. As soon as one song begins it suddenly seems to end, sometimes a bit too quickly. The use of samples in tracks such as “Strawberry Roan” and “Trembler” creates an authentic western sound, and adds to the overall reminiscent feel of the album. At the same time, tracks like “Colorado Trail,” and even “Strawberry Roan,” incorporate a little more of the beat that Javelin is known for. Javelin incorporated some western instruments too, I’m pretty sure I detected a steel guitar, and did I hear a jaw harp in “Love Gulch?” Standouts on this short album are “Estavez,” “Colorado Trail,” and “Streets of Laredo.” If you’re a Javelin fan who is open to an album unlike any of its predecessors, pick this album up. You’ll be amazed by their versatility and willingness to experiment. Available April 16th, 2011.
Lollapalooza Announces Lineup

Lollapalooza celebrates it’s 20th year this summer and the names on the bill are more exciting than ever. Remember when this fest used to tour and it was awful? Yea, who wishes it was a touring event again…us. Lollapalooza will take place August 5th-7th in Chicago’s Grant Park. The lineup includes acts from all over the indie spectrum from headliners Girl Talk, Foo Fighters, Bright Eyes, The Drums, Ratatat, Best Coast, The Pains of Being Pure at Heart, Arctic Monkeys, Cage the Elephant, Cold War Kids, The Mountain Goats and more! Learn more about the lineup HERE.
The Cool Kids Drop A Bundle

The Cool Kids recently released their new video “Bundle Up,” featuring a mockumentary-style music video poking fun at the sometimes unoriginal rap industry as well as themselves for trying to be out of the box. It’s a hilarious commentary on this genre, which The Cool Kids are known for. Their beats are reminiscent of late ‘80’s rap with a modern twist. In fact, their very stance can be summed up in the opening lines of their track “A Little Bit Cooler:” “Eating a bowl of them fruity pebbles / How gangsta’ is that? / Not Gangsta’ at all / Oh, you judging me dog? / Please you shop at the mall.” The “Bundle Up” video, spearheaded by Maxim Bohchik and Alex Bergman, features mermaids, lost Rolling Stone wannabes, Polar Bears and a hell of a lot of fake snow. The sense of humor and solid beats will take this up and coming Chicago rap duo far.
My Coachella 2011 Experience

Wow. Where do I possibly begin to describe Coachella 2011? Well, I can sit here and complain about the heat and the itchy bracelets (or “shackles” as my friend Kim called them) – but why bother when the positives outweigh the negatives?
First of all, I have to state that Goldenvoice did an amazing job this year with crowd control. There were the aforementioned bracelets that may have itched slightly but man, they ensured who was getting in and out of the enormous field. You couldn’t even get within proximity of the Empire Polo Fields without the magic bracelet. Check points for cars, walkers, bicyclists, etc. were all over Indio. Well played, Goldenvoice – no gatecrashers this year! Hence, no overcrowding. That brings me to the physical size of the venue. Several football fields long, it was even bigger than last year and made room for yet another tent (ok, it was being called a dome, whatever). The combined effect of the scanned bracelets and bigger venue size made for a fantastic weekend where overcrowding didn’t feel like an issue. Amazing!

The fashion was, well, wacky again to say the least. I really wanted to ask the people with fake fur scarves (and even fake fur gloves!?) what they were thinking. I mean, people, come ON – it was 98 degrees on Saturday! Very, very hot. I wore a simple tank top and shorts and roasted with the best of them in the shade of the beer garden each afternoon. The food was a bit expensive as it usually is (same with the alcoholic drinks) but it was pretty darn good again. Spicy Pie for the win!

ANYWAY – onto the music. I tried not to drive myself crazy with the numerous conflicts in set times and just went with the flow. I started off Friday by seeing The Pains of Being Pure at Heart. They were having a blast up there; you could see it written all over their faces. Their near-shoegazing sounds made for a nice afternoon chillout zone and the crowd swayed along with their tunes. Lead singer Kip Berman chatted warmly with the audience about which acts he was excited to see and highly encouraged the masses to see Suede tomorrow night (more on that later!).

Next up was chilling out in the beer garden by the large Coachella Stage to see if Lauryn Hill would actually show up. We figured hey, let’s hydrate and see what happens. (Little did I know that Cee-Lo Green had shown up suuuuuuper late for his set and then had a hissy fit when he was told he had to end his set early. Dude, show up on time and then you get to sing all your songs!) So I’m looking at my blackberry and wondering how late she’s going to be, or whether she’s going to show up at all and lo and behold, a mere 15 minutes late, there she is! She sounded a bit hoarse and was drowned out a bit by her incredible band and backup singers but the minute she got into Fugees music, you could just feel her win over the growing crowd. Nicely done, Ms. Lauryn Hill!

After being surprised and then dancing for a bit, we stayed put to listen to Interpol start their set. Moody and intense – yes. Solid songs – definitely. The super large screens on each side of the Coachella Stage added to the dark quality of their songs by flashing red lights throughout their set.

Next up – the Black Keys. The crowd swelled for these guys and boy, you could see why within 5 notes of the first song. Watching the chemistry between Patrick Carney and Dan Auerbach is just incredible. Patrick keeps a steady beat while watching Dan rip into his guitar solos. Absolutely amazing duo and it was impressive to see what songs they chose from their latest album and what gems they chose from the past albums. Well played, boys!

Then came Kings of Leon which was my biggest worry of the weekend. Why was I worrying? Well, the public has turned on them recently since “Use Somebody” has been played on soft rock stations. And once-rabid fans are just super annoyed over their last two albums, declaring them “too soft” and wishing them to return to their rockin’ roots of their earlier albums. I was nervously reading the Coachella message board and I’d say roughly 80% of the comments were anti-KoL and I was starting to wonder if they would even draw much of a crowd. Well, I’ve been a fan of them for a long time and I’m pleased to announce they had a large crowd and the Followills appeared to have listened to their fanbase and played a large number of older songs! Excellent. Very good call! The crowd seemed receptive and not throwing out boos or catcalls like I had feared. Phew.

Next up was the traditional “rave” spot of the weekend being performed by the amazing duo The Chemical Brothers. Starting a few minutes late was forgiven quickly as they put on a stunning show of visuals and beats. Glow sticks were rampant as expected and the duo closed out a fantastic first day.

Next day after some lovely time poolside (yes, you can be jealous), we headed right for the beer garden for some Erykah Badu. There were some technical glitches during her performance but it didn’t seem to get the crowd or herself down. “On and On” was met with usual chilled out, blissful sway-type dancing and provided a great start to our Saturday.

After feeling nice and chilled out, we went for more of the same – the Mancurians known as Elbow. Singer Guy Garvey seemed to be immediately overwhelmed by the oppressive heat within the Mojave tent but didn’t let it ruin his band’s performance. The second song into the set was “Grounds for Divorce” and the crowd fed into it right away. The entire set left everyone feeling peaceful and easygoing and was quite a nice way to celebrate the sunset (and decreasing temperatures) on the second day of Coachella.

We decided to hop onto the ferris wheel and kill some time rather than join a band’s set midway through. The wait was worth it when we reentered the Mojave tent for The Swell Season. Glen Hansard came out for a few minutes to tune with the band (imagine that, a performer wanting to be part of the setup process!) and the growing crowd screamed approval. Once the entire band took stage, it was just mindblowing how incredible their performance was. The crowd sang along to the songs from the movie Once in approval and overall, it was another feelgood and heartfelt performance for the day.

Right after The Swell Season left the stage, I pulled my friend Kim forward as far as we could go (which turned out to be pretty damn close) and waited for Suede (that’s The London Suede to us Americans). She had never heard one song by them and I was just dying to see how they would be. Well – they were nothing short of incredible. I’m going to call them the act of the weekend. Seriously, that good! Lead singer Brett Anderson never uttered a word to the audience as he immediately laid out his signature sexy moves by swaying his hips, jumping up and down, demanding the crowd sing along and wrapping the mic around his body several times. The band ripped into their hits without a hitch, sometimes just starting a song on the final note of the previous song. I am still absolutely mesmerized by their performance and can only hope they’ll come back to the states for another show. My friend turned to me with a huge grin on her face and said “that was UNBELIEVABLE” and a guy to our right stated “that was better than sex.” Yes people, it was THAT good of a performance.
We rushed over to catch Arcade Fire as soon as Suede finished up and to our delight, they were only 2 songs in. Phew! Arcade Fire was solid as always, playing a great mix of songs from their Grammy-winning album and frontman Win Butler seeming to be in disbelief that they were playing to such an impressively huge crowd. While I personally was still on a Suede high, I will say that Arcade Fire was great and the surprise of the balls being dropped at the end was a great way to cap Saturday night.

And then, the last day. Booooo.
Once again, we headed right for the beer garden and listened to Nas and Damian Marley. The crowd within the beer garden was highly enthusiastic when Nas did his biggest hits and then broke out in cheers and applause for their rendition of Bob Marley’s “Could This Be Love.” Very nice!

We raced over to catch some of Best Coast, who did their dreamy super short songs to a large crowd. Their hit song “Boyfriend” got the biggest reception but they also threw in some brand new songs into the mix.

After grabbing a burger and shake, we ran over to catch Foster the People. They came on a bit late for the massive crowd in the Gobi tent and we only caught a few songs, but the band seemed to be having a blast playing for a crowd that was spilling out of the tent.

We zipped over to catch the majority of Duran Duran’s set. The 80s rockers blended a nice mix of songs from their latest Mark Ronson-produced album and biggest hits from the 80s. Seeing people randomly dance around for “Rio” and “Hungry Like the Wolf” was a great sight.

The it was time for The Strokes. Julian Casablancas made his usually witty comments in-between songs and the band gave the crowd exactly what they wanted – rock songs delivered with gusto. Playing all their past hits, you could tell the band was truly enjoying themselves on stage.

And then it was time for the most highly anticipated performance of the whole weekend – Kanye West. Everyone was wondering how he would cap an amazing weekend of music and boy, he did NOT let us down. Appearing on a moving elevated crane above the audience with a stage full of writhing dancers, one got the feeling they were in for the performance of a lifetime. Sure enough, Kanye delivered and dedicated it to his beloved mother, ending the night with a heartfelt “Hey Mama.”

I fully admit to still having the post-Coachella blues (and total exhaustion from taking the redeye back to NYC last night) but all I have to do is look at my pictures from the weekend and relive the memories. I can’t wait until Coachella 2012
NYC Weekly Show Rundown!
Noah and the Whale, Luke Rathborne @ Bowery Ballroom
Elephant 6 Holiday Surprise Tour @ Knitting Factory Brooklyn
British Sea Power, A Classic Education @ Maxwell’s
The Sounds @ Music Hall of Williamsburg
Royksopp @ Webster Hall
Noah and the Whale, Apex Manor @ Bowery Ballroom
Elephant 6 Holiday Surprise Tour @ Knitting Factory Brooklyn
British Sea Power, A Classic Education @ Music Hall of Williamsburg
Cheval Sombre, Jump Into The Gospel, Polock, The Lines, Ravens & Chimes @ Piano’s
Atlantic /Pacific @ The Rock Shop
Elephant 6 Holiday Surprise Tour @ (le) poisson rouge
Devotchka, Mariachi El Bronx @ Highline Ballroom
Fujiya & Miyagi, Project Jenny/Project Jan, Body Language @ Santo’s Party House
Polock @ The Rock Shop
The Beets, Beachniks, Las Robertas @ Union Hall
The Damnwells, Harper Blynn (formerly Pete and J), Howard Jennings @ Bowery Ballroom
Devotchka, Mariachi El Bronx @ Highline Ballroom
J Mascis, Kurt Vile, Call Of The Wild @ Mercury Lounge
Alexi Murdoch, Sam Amidon @ Music Hall of Williamsburg
Cold War Kids, No Age, Baths @ Radio City Music Hall
Black Joe Lewis and the Honeybears, Those Darlins @ Bowery Ballroom
J. Mascis, Kurt Vile, The Violaters @ Music Hall of Williamsburg
Queens of the Stone Age, Dough Rollers @ Terminal 5
White Out with Thurston Moore @ White Stone
The Drums, Big Trouble, Patrick Cleandenim (DJ Set) @ Tribeca Grand Hotel
Far East Movement Unveil Short Film Project
With their new short film “Rocketeer L.A. Dreamer,” Far East Movement hope to take fans behind the scenes of their crazy lives. Using downtown L.A. as the backdrop, the short film shows fans the inspiration behind their current single, “Rocketeer,” and the community of dreamers that Far East Movement came up in. For the live music portion of the video, the group used the same set up of old mics and amps they used to rehearse with.
February 23, 2011 at 12:00 pm wesleyambrecht Leave a comment
Sunny Day Challenges You To Check Ya Footnotes
The conceit of Check Ya Footnotes is simple, and yet incredibly effective. Jive Records’ DJ Raize and Sunny Day Entertainment compiled a list of some of their favorite rap classics and then investigated the references made within those tracks. Raize then spun the reference material in, creating a litany of interesting juxtapositions.
Some of the references, like Nas’ mention of “Renegade” in “Ether,” are a bit on the nose, and a couple others don’t really meld well into the songs they reference. But, overall, the mixtape is an incredibly fun listen. It also gets bonus points for its use of Clipse’s “Kinda Like A Big Deal,” and for introducing me to “Strokin” by Clarence Carter.
February 10, 2011 at 12:00 pm wesleyambrecht Leave a comment





















