Archive for July, 2010
Neon Indian Reissues “Psychic Chasms”
Though it’s not completely necessary to do such a thing, Neon Indian fans are pretty excited right now. Myself included. Neon Indian will be releasing, well, re-releasing Psychic Chasms as Mind Ctrl: Psychic Chasms Possessed.
The record will be released as remastered deluxe edition on CD and for you vinyl heads, on double Vinyl on September 28th. The album will be out digitally on August 31 on the FADER Label / Static Tongues. The new record contains nine bonus tracks which has exclusive remixes and cover versions by Toro Y Moi, DNTEL, Bibio, Javelin, YACHT and more. Talk about a Chillwave fest.
Neon Indian will be emarking on another tour this Fall with Prefuse 73 and Modern Mystery favorites, Miniature Tigers, in addition to their previously announced tour dates they will be headlining with Chromeo and Phoenix.
Singer/songwriter Jesse Woods has also recently done a highly acclaimed cover of Neon Indian’s “Mind, Drip,” which you can listen to below, as well as the original.
Neon Indian Tour Dates
07/30/2010 House of Blues, Boston, MA *
07/31/2010 Metropolis, Montreal, QC *
08/14/2010 The Beach @ Governors Island, New York, NY
09/19/2010 Santa Barbara Bowl, Santa Barbara, CA #
09/21/2010 SDSU Open Air Theatre, San Diego, CA #
09/22/2010 The Pearl Concert Theater, Las Vegas, NV #
09/23/2010 The Rail Event Center, Salt Lake City, UT #
09/25/2010 Virgin Mobile FreeFest, Columbia, MO
09/26/2010 PNE Forum, Vancouver, BC #
09/27/2010 Showbox at the Market, Seattle, WA !
09/28/2010 Wonder Ballroom, Portland, OR !
09/30/2010 Mezzanine, San Francisco, CA !
10/01/2010 Music Box at the Henry Fonda Theater, Los Angeles, CA !
10/02/2010 Club Congress, Tucson, AZ !
10/03/2010 Black Market, El Paso, TX !
10/05/2010 Granada Theater, Dallas, TX !
10/06/2010 Argentum (Formerly The Engine Room), Houston, TX !
10/08/2010 Spanish Moon, Baton Rouge, LA !
10/09/2010 40 Watt Club, Athens, GA !
10/10/2010 Southgate House, Newport, KY !
10/11/2010 Metro, Chicago, IL !
10/12/2010 Lee’s Palace, Toronto, ONT !
10/14/2010 House of Blues, Las Vegas, NV *
* = w/ Chromeo
# = w/ Phoenix
! = w/ Prefuse 73 & Miniature Tigers
Neon indian – “Mind, Drips” by ModernMysteryBlog
The Drums Co-Headline Fall Tour with Surfer Blood
….yep and our little heads just exploded. Two of the hottest bands to come out of the indie scene in quite some time have announced that they will be doing a co-headlining tour in the fall with each other. The Drums, who started gaining attention at CMJ 2008, and Surfer Blood, who started being a blogger’s dream at CMJ 2009 (Yea we did their first ever interview. Jealous?), are taking the nation by storm for about two solid months. Hipsters everywhere are celebrating we’re sure of it. Since their CMJ hype, The Drums have become one of the most talked about band in the UK and Surfer Blood have become the most notable band of the year with their debut, Astrocoast (Kanine).
The tickets will be on sale TOMORROW MORNING, and they are expected to go fast. This may be the hottest show of the fall. The Drums and Surfer Blood hit up Webster Hall in NYC on October 22nd. This does sound like a CMJ showcase to us. Why not? It’s what launched both of them in a big way. Surfer Blood is also set to play NYC on October 19th, the first day of CMJ. Hmmmm…..
You can get your tickets starting tomorrow here at thedrumsandsurferblood.com
Fall never felt so good.
The Drums/Surfer Blood 2010 North American Tour Dates
9/11 Providence, RI @ Jerky’s Live Music Hall
9/12: Washington, DC @ The 9:30 Club
9/13 Chapel Hill, NC @ Local 506
9/15: Atlanta, GA @ The Loft
9/17: Orlando, FL @ Social
9/18: Miami, FL @ Grand Central
9/19: Tampa, FL @ State Theatre
9/20 Gainesville, FL @ Common Ground Coffeehouse
9/21: Tallahassee, FL @ Club Downunder
9/23: Houston, TX @ Fitzgerald’s (The Drums ONLY)
9/24: Dallas, TX @ The Loft (The Drums ONLY)
9/25: Austin, TX @ ND (The Drums ONLY)
9/27: Phoenix, AZ @ Clubhouse
9/28 Pomona, CA @ Glass House
9/29: Los Angeles, CA @ The Music Box
10/01: San Francisco, CA @ The Independent (The Drums ONLY)
10/03: Portland, OR @ Wonder Ballroom
10/04: Seattle, WA @ Neumos (The Drums ONLY)
10/05: Vancouver, BC @ The Biltmore Cabaret
10/07: Boise, ID @ Neurolux
10/08: Salt Lake City, UT @ Urban Lounge
10/10: Denver, CO @ Bluebird Theater
10/13: Minneapolis, MN @ The Varsity Theater
10/14: Chicago, IL @ Lincoln Hall
10/16: Toronto, ON @ Mod Club (The Drums ONLY)
10/17: Montreal, QB @ Cabaret du Musee Juste Pour Rire (The Drums ONLY)
10/18: Boston, MA @ Paradise (The Drums ONLY)
10/20: New York, NY @ Webster Hall
10/22: Philadelphia, PA @ Making Time
The Drums – Forever And Ever Amen (Thieves Like Us Remix)
The Drums – Forever And Ever Amen (Thieves Like Us Remix) by ModernMysteryBlog
Surfer Blood – Twin Peaks (Golden Ages Remix)
Surfer Blood – Twin Peaks (Golden Ages Remix) by ModernMysteryBlog
Toro y Moi @ Glasslands, Brooklyn, NY -7/1/2010
I don’t know what’s to be said on a band’s live performance compared
to their album itself. It’s all personal preference, and I guess varies
from group to group. Toro y Moi played two shows in New York on July 1st and 2nd. One at the Glasslands Gallery in Williamsburg, and the other at the Whitney Museum in Manhattan.
I was able to catch the Glasslands show, and it was the first time I got to see Toro Y Moi as a three piece band. They opened with “Blessa,” and while the crowd was ecstatic, the
tempo seemed awkwardly fast compared to the record. Even Chaz Bundick,the lead singer, bobbed like a human metronome to keep the beat. Every song was played at this accelerated pace that I was not expecting, and I’m assuming it was just a decision by the band. It did not live up to the “Chill wave” moniker this type of music has be labeled with, although when I had a brief chance to talk with the bassist and drummer they told me the name was a joke.
When they began to play “You Hid,” what I believe to be the chill anthem (there’s no better phrasing for it sorry) of the year, even that had a disappointingly fast beat to it.
That all being said, the venue was jam packed, and I still had a great
time. The music was still miles above most of what’s out there, and I’m
glad I got to see them before they headed off to Europe.
The band, for some reason, asked me not to talk about their clothes so
I’m gonna honor that.
Finally, on an awesome note, one of the band member’s parents were
there, and the mother informed me that she and her husband met through an ad in the Village voice. I thought that was cool.
-Joe Paolucci
Someone Still Loves You Boris Yeltsin Release New Track, “Banned (By the Man)”

Someone Still Loves You Boris Yeltsin has just released a sneak peak at another song on their highly anticipated third Polyvinyl release, Let It Sway. The track is titled “Banned (By the Man)” and is a nice follow up to the first song they put out as the single, “Sink/Let It Sway.” SSLYBY can do indie pop like no other band out there. Each song is infectious and their talents are proven in every song. “Banned (By the Man)” featurs amazing harmonies on the band’s part which they really haven’t played around with too much in the past. The Chris Walla produced record will be out on August 17th. The Yeltsins are about to become HUGE.
Someone Still Loves You Boris Yeltsin “Banned (By the Man)” by ModernMysteryBlog
“Echotone,” the Movie. The Experience.

When I was a young teenager, I was obsessed with a little documentry called Hype! that was put out about the Seattle Grunge scene. I made everyone who came into my path watch it. And I mean everyone (sorry Grandpa!). I remember it made me feel excited about music and fall fully in love with every single aspect of it. No documentry has ever hit me like that until Friday afternoon when I attended a screening of the upcoming film Echotone. Looking around the room, everyone gave it their full attention as it captivated all of us.
Based on the Austin music scene in the present day, Echotone takes you on a ride with bands such as {{{Sunset}}}, Belaire, Black Joe Lewis and the Honeybears, The Octopus Project, The White White Lights and more. Though there are other bands featured, the story is told for a good portion by Bill Baird of {{{Sunset}}}, Black Joe Lewis and Cari Palazzolo of Belaire. All three bring up different struggles in the Austin scene.
Baird, who was formerly in the now disbanded Sound Team, who released one album on Capitol Records, now plays in {{{Sunset}}}, a dreamy musical experience for your ears. He tells the tale of being screwed by the man, and then rebuilding himself as a musician. Lewis, delivers fish in the daytime and plays to packed crowds at night. Palazzolo struggles with not making Belaire a commercial band and trying to hold back at offers. She even makes the band’s cd covers by hand and tee shirts. In the midst of all of this, skyscrapers are being built around some of Austin’s best clubs for music, which to the artists, take away from the musical landscape. Neighbors complain about music from the venues blaring into their house, in which one man even refers to it as a form of “terrorism” (c’mon really??). It’s a struggle for the musicians on a daily basis. When the topic of SXSW is brought up, everyone seems less than thrilled that people are taking over their city for the week. Actually that could be an understatement. For the most part Baird and Palazzolo seem especially outraged by it.
Though the film is set in Austin, you do not have to live there to appreciate the scene. The live footage is specatacular, and the interviews and pieces with the musicians are very heartfelt and personal. You can tell how passionate they are about their music, and how much they want to share it, but still keep it very close to their heart without letting the outside elements exploit it in a fashion they see to be unfit. The music used throught the documentry flows perfectly as the story is told, shaping and molding it into a moving piece. It will make you appreciate music in a way that most people have forgotten.
The tale of Austin is far from over. Quite frankily, as the “Live Music Capital of the World,” it never will be.
Echotone comes out this Fall to the public. It was made by Nathan Christ in conjunction with Reversal Films.
Watch the trailer for the film below:
For more about Echotone visit the official site HERE
New Strokes Album Pushed Back. Again.

Whenever we get closer to a new album by The Strokes, they seem to get delayed. Can we have a colllective “UGH”? The date has been pushed back again for the upcoming fourth record that was originally supposed to be out this fall. Now it has a tentative release date of March 2011. Singer Julian Casablancas has been talking about it in interviews and he doesn’t seem to quite have the passion he once did for the band. Though, this has all been judged out of the tone of his voice. As for what he says, Casablancas stated on BBC 6 that this album will be the most collaborative piece that the band has ever done, and it also halfway finished. He is quoted saying the album is “something that I hope works and I hope everyone loves and makes everyone happy.” When talking about The Strokes future, he stated “Let’s make sure no one tries to stab me or something.” Is this serious or Casablancas sarcasm and wit? I guess we’ll have to wait to find out.
Julian Casablancas – The Strokes – “I’ll Try Anything Once” (“You Only Live Once” Demo) by ModernMysteryBlog
She & Him Release New Video for “Thieves”

The dynamic duo of She and Him, better known as Zooey Deschanel and M. Ward make pretty videos to their pretty music. Their newest for the enchanting “Thieves,” is no different. Recently releasing their second record, Volume Two, the group is gaining more attention than even before. And THAT seemed unbeatable.
The video is produced by Norwood Creek, and features a child version of Deschannel and Ward, playing, and sending items to their older selves to discover in the future. Done in a sketchy black and white, it enchances the song for a really emotional impact that is beautifully done. She and Him can do no wrong.
Songs to Keep You Cool in the Summer Heat

In NYC it is currently 102 degrees out. To keep you cool from the obsessive heat, we put together a few songs that have to do with “Summer.” Oddly enough they all use the word in the title as well. From Pavement to The National to Neon Indian, we have it all. We hope these songs will keep you cool today, along with your air conditioner. Enjoy!
Pavement- “Summer Babe”
Pavement- “Summer Babe” by ModernMysteryBlog
Neon Indian – “Deadbeat Summer”
Neon Indian – “Deadbeat Summer” by ModernMysteryBlog
Magic Kids – “Summer”
Magic Kids – “Summer” by ModernMysteryBlog
The National with St. Vincent – “Sleep All Summer”
The National with St. Vincent – “Sleep All Summer” by ModernMysteryBlog
The Drums – “Saddest Summer”
The Drums – “Saddest Summer” by ModernMysteryBlog
Unouomedude – “Island Summer”
Unouomedude – “Island Summer” by ModernMysteryBlog
Vietnam – “Summer in the City”
Vietnam – “Summer in the City” by ModernMysteryBlog
Wild Nothing – “Summer Holiday”
Wild Nothing – “Summer Holiday” by ModernMysteryBlog
Cymbals “Summer Job”
Cymbals -”Summer Job” by ModernMysteryBlog
Gorky’s Zygotic Mynci – “Face Like Summer”
Gorky’s Zygotic Mynci – “Face Like Summer” by ModernMysteryBlog
Laura Veirs – “Summer Is The Champion”
Laura Veirs – “Summer Is The Champion” by ModernMysteryBlog
The Art of Shooting Gets Crazy

The Art of Shooting are one of the most incredible bands that New York has to offer. Fronted by the coolest female singer since Karen O., Kelly Irene and Co. are a band to look out for in the ever growing scene. Last weekend they hit the stage for the second time at the Northside Festival.
Modern Mystery: There are tons of bands in Brooklyn right now. What makes The Art of Shooting stand out from the rest? You DO stand out from the rest.
Kelly Irene, Jim, Julie, and Gavin: Thank you for the compliment. That’s very flattering considering all of the talented bands that are in Brooklyn right now. We love catchy songs as much as the next person, but where’s the emotion? I like to think we bring the emotion back to music. We also have the tendency to genre jump, are willing to keep going no matter the circumstances, a solid sense of humility, and we’ll drive to the midwest to play for cattle.
On a more serious note, I think it’s a concoction nobody’s tried before: blend shoegaze with riot grrl and add some proggy elements for shits and giggles). It’s atmospheric but has strong songwriting; it can be dark and noisy as fuck (“No 12″) or soft and serene (“One Minute Love Song”) or both (“Japanese”).
MM: Being a female vocalist, do you sometimes find it harder to prove yourself musically, to the masses? strong>
Kelly Irene: Oh, yes. Definitely. Without a doubt, I used to try much harder, but lately, as I’ve gotten more comfortable in my skin and musical abilities, I’m not as intimidated or ferocious anymore. The more confident you are in what you’re doing with yourself, the more that radiates and stands on its own. But we are usually the only female oriented band on a bill, and that can be a nice feeling.
MM: Blurt! magazine crowned Kelly the award of “The Most Fucked Up Thing I Have Ever Seen.” How do you feel about that? Does she still have such problems with animals?
Jim: Having been in the band the longest behind Kelly Irene, I can absolutely anoint Kelly the Patron Fucking Saint of Pooches. I have witnessed more crimes-against-person at the paws of canines than I care to mention…we’re talking the widespread destruction of items including her favorite lipstick, drummers’ after-practice-Reuben sandwich, a wallet containing the last of the week’s food money, and a particularly sassy pair of cowboy boots. The fact that she’s lived with two large, mischevious dogs for so long and has not drowned them is a wonder to me…and I’m a dog person.
Kelly Irene: Right now I live with a dog, a cat, and a snake. I share my face and cover art with my dog that I adopted at Barc five yeas ago (Nugget). I’m dedicated to this kind of abuse
MM: How do you write your songs? Is it collaborative or does everyone bring in their own songs and work from there?
Jim: Usually Kelly brings in song ideas and we all work on em, whipping em up into a full-bodied, frothy rock concoction.
MM: What inspires you to write a song? Do you have to be in a certain mood to write a certain kind of song?
Kelly Irene: The tempo that comes out of walking after a really amazing cup of coffee. Breakups, old memories that become old again, and the Little Mermaid.
Jim: Usually I’m inspired to make music when I see another band performing…it usually dredges up the old competitive spirit in me. Also, when i drink.
Gavin: Sometimes drummer Jim won’t lay off the cowbell and I’m inspired to clock him with my headstock. It makes a sound.
MM: Which do you like better, being in the studio/recording process, or playing live on stage?
Kelly Irene: Live, because the rock audience has the shortest attention span and will generally forgive mistakes!
MM: How did you get involved with playing the Northside Festival? Is this your first year?
Kelly Irene: This is our second year. Last year Jezebel Music was nice enough to host us with a band of really great friends including Patrick Bower, Right on Dynamite, and Joe and the Flying Spoons (ex dirty on purpose). It was my favorite show we played last year.
This year we’re hanging out with bands we don’t know as well, but I guess we made a great impression on the Tijuana Gift Shop, since we’ve been asked to play with some killer acts. We also view the Northside Festival as a warmer, friendlier version of CMJ with oftentimes better acts.
Jim: We heard they offer free footwear, that’s how they got us last year. I also view Northside Festival as an opportunity for me to test Heineken’s fortitude as sponsor of free beer at the badge pick-up lounge.









